These are explorations that carry the Terra Sapiens philosophy and that allow me to test and explore new ways of expressing complex concepts and their interactions such as “ecological grief”, the “ethnosphere”, ecological system integration, and regenerative economies.
Artists: Tuedon Ariri & Brin Schoellkopf. Assistant: Helena Vallès
The main goals of the projects created at Terra Sapiens Studio are:
a) The representation of viable positive futures based on science, observational science (indigenous knowledge), design and art. We intend to put forward pathways that consider multi-solution approaches or system integration solutions that consider the afflictions of ecological and social environments (socio-ecological systems) as interconnected.
b) Showing relationships with nature determined by the intrinsic value of its existence instead of having a relationship solely based on its capacity for exploitation and benefits to humans outlined by ecological services research.
c) Decolonizing knowledge acquisition methodologies and problem-solving by using empathic listening towards the socio-ecological systems (environments) around us. Decolonizing methodologies require cultural groups in power to recognize their equal value in the ethnosphere and the ecosystem.
d) Research as action: the creation process will itself be a laboratory for implementing the values and principles that are the main subject of the work. Terra sapiens will be eco-responsible and sustainable, gender-balanced and diverse by using materials and processes that lower the impact on ecological and social environments.
e) The decolonization of the gaze through the inclusion of team members coming from diverse cultural backgrounds. The intended benefit will be to show the potential of "Inclusion" in finding multi-faceted and comprehensive solutions to artistic challenges and the project's visions.
f) The humanization of technology: Terrarium intends to show the importance of conceiving technology as a tool for empathy and well-being, as well as the importance of going beyond technocratic solutions to climate change. The inclusion of interactivity as a tool for creating engagement and empathy amongst the public.
g) Gender equality as essential to our society's evolution and that the inclusion of ontological female values such as compassion, empathy, nurturing, and community building is critical to achieving a sustainable and regenerative relationship with the environment.
Dancers: Claudia Chan Tak & Daniela Carmona
Assistant: Helena Valles & Gwendal Lemarchand
Collaboration with Nightsky productions, Max Machado
Dancers: Claudia Chan Tak & Daniela Carmona
Assistant: Helena Valles & Gwendal Lemarchand
Collaboration with Nightsky productions, Max Machado
Dancers: Claudia Chan Tak & Daniela Carmona
Assistant: Helena Valles & Gwendal Lemarchand
Collaboration with Nightsky productions, Max Machado
Dancers: Claudia Chan Tak
Assistant: Helena Valles & Gwendal Lemarchand
Collaboration with Nightsky productions, Max Machado
Dancers: Claudia Chan Tak
Assistant: Helena Valles & Gwendal Lemarchand
Collaboration with Nightsky productions, Max Machado
Dancers: Claudia Chan Tak
Assistant: Helena Valles & Gwendal Lemarchand
Collaboration with Nightsky productions, Max Machado
"We do not see ecological grief as submitting to despair, and neither does it justify ‘switching off’ from the many environmental problems that confront humanity. Instead, we find great hope in the responses ecological grief is likely to invoke. Just as grief over the loss of a loved person puts into perspective what matters in our lives, collective experiences of ecological grief may coalesce into a strengthened sense of love and commitment to the places, ecosystems and species that inspire, nurture and sustain us."
— Ashley Cunsolo, director of LabInstitute Memorial University & Neville R. Ellis, Research fellow University of Western Australia
Dancers: Claudia Chan Tak & Daniela Carmona
Dancer: Claudia Chan Tak. Video collaborators: Guillermo Castellanos & Juan David Padilla. Art Direction: Damian Siqueiros
Dancer: Claudia Chan Tak. Video collaborators: Guillermo Castellanos & Juan David Padilla. Art Direction: Damian Siqueiros
Dancer: Claudia Chan Tak. Video collaborators: Guillermo Castellanos & Juan David Padilla. Art Direction: Damian Siqueiros
Dancer: Claudia Chan Tak. Video collaborators: Guillermo Castellanos & Juan David Padilla. Art Direction: Damian Siqueiros
“What are the stories that will tell each other about this time in a 100 years, or even if a few centuries? Will it be a narrative of grief or one of healing and learning?
Will we be able to pinpoint that moment where everything changed, when we as a collective human organism were of one mind and one heart to stop harming nature, our mother? Will we be able to tell stories about how we decided to be the stewards of regeneration, of healing, and abundance?”
— Damián Siqueiros
Dancer: Claudia Chan Tak
If a tree can be a monument then nature can be our sanctuary; every forest, every jungle and every ocean a cathedral. If you don’t believe in anything, believe in nature; be devout in your biophilia. What we seek to save Earth is not the only restoration of what was, but also the honoring of our sacred agreement to give to her as much as she’s given us.
Credits: Circus artists/ Tuedon Ariri & Brin Schoellkopf. Assistant: Helena Valles
“Action on behalf of life transforms. Because the relationship between self and the world is reciprocal, it is not a question of first getting enlightened or saved and then acting. As we work to heal the earth, the earth heals us.”